Giúp mình làm và giải thích ( dịch bài nếu bạn có thể )

Pop art was a(n) _________(1) art style in which _________(2) objects such as comic strips, soup cans and road signs were used as subject matter and were often incorporated into the work. The pop art movement was largely a British and American cultural phenomenon of the late 1950s and ‘60s. Art critic Lawrence Alloway, referring to the prosaic _________(3) of its painting and sculpture, named the movement pop art. It represented an attempt to return to a more objective and _________(4) accepted form of art after the dominance in both the United States and Europe of the highly personal abstract _________(5). The art form was iconoclastic, rejecting the _________(6) of the ‘high art’ of the past and the _________(7) of other contemporary avant-garde art. Pop art became a cultural institution because of its close reflection of a particular social situation and because its easily _________(8) images were immediately exploited by the mass media. Although the critics of pop art describe it as sensational and non-aesthetic, its proponents saw it as an art that was democratic and not _________(9), bringing together both connoisseurs and untrained inexperienced viewers. Even though public reaction to pop art was _________(10), it found critical acceptance as a form of art suited to the highly technological, mass media-oriented society of western countries.

(1) CONVENTION

(2) COMMON

(3) ICON

(4) UNIVERSE

(5) EXPRESS

(6) SUPREME

(7) PRETEND

(8) COMPREHEND

(9) DISCRIMINATE

(10) FAVOUR