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Bat Trang ceramic village is one of the most famous traditional village in Vietnam. Like the name, Bat Trang ceramic village is a place where produces many beautiful pots, dishes, bowls, vases, .... These products are also exported to many foreign countries. We have two original stories of this village, and when you visit Bat Trang, local people can tell you about it. In fact, Bat Trang has gradually changed from a normal ceramic and pottery village into a famous ceramic and pottery centre until now. If you visit the nothern in Vietnam, you will be able to visit Bat Trang village. There is a "spirit food" of Vietnamese people, and foreigener can also enjoy it with us. Bat Trang village has become an inspiration, special value and cutural heritage in Vietnam since time immemorial.
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Going deeper into Vong Nguyet village, the quiet space was replaced by the steady rattle sound. That rustic sound echoed in everyone's mind forever, evoking the glorious memories of the past and the belief in a bright future of the craft village.
The achievements after a hard work process are a great motivation for the people of Vong Nguyet village to determine to stick with the profession. Every year, Vong Nguyet village produces 60-70 tons of silk, accounting for 10% of the country's silk production. Not only that, but the silk products of the village have always won the trust and favored by consumers nationwide.
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Dong Ho Painting Village Hanoi is located in Bac Ninh. It is well-known by its traditional folk paintings, all of which are created for the annual Tet Festival (Lunar New Year). Located along the Duong River, this traditional village is supposed to be a place helping trallvers from Ha Noi relieve their stress. Also known as woodcut or Dong Ho paintings, these artworks often depict bright and colourful scenes of everyday life, folk allegories, mythical and historical figures, as well as symbols of happiness, fertility, prosperity, and fortune. Therefore, many households and businesses oftentimes use them as decorations throughout the year, particularly during Tet holidays. For the sake of producing a single Dong Ho painting, the craftsmen first carve a wooden block into distinctive shapes, before brushing a layer of ink onto each block, and then pressing them on a traditional giay gio paper. The ink is made with natural ingredients such as the ash of burned bamboo leaves, gravel, finely ground oyster shells, and flowers. Finally, the finished design is sealed by a layer of sticky rice paste.
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